The Devil is leaving his Cave Emin Özmen these ten essays introduce Sérgio

these ten essays introduce Sérgio Ferro’s vital thinking by confronting architecture with critical theories ranging from Marx to contemporary authors

Exploring a familiar medium with new eyes

these illustrations followed the tradition of the Dutch topographical landscapes of the seventeenth century

and is a member of Magnum Photos

North Dakota

The Devil is leaving his Cave Emin Özmen these ten essays introduce SérgioIn 1991, Wendy Ewald was invited to conduct photography classes for Maya, Ladino, and Tzotzil children living in Chiapas, the southernmost province of Mexico. The sponsoring organization was the Maya writers cooperative, Sna Jtz ibajom (The House of the Writers). While cameras and camcorders were hardly novelties in Chiapas, they were generally used by tourists whose picture taking reinforced their own cultural biases. Ewald did not take pictures;